There exists also a reverse version of Déjà vu which is called jamais vu. One meets the same people and goes constantly to the same places; but feels as if it is the first encounter every time. Everybody is always a stranger. Nothing is familiar.
The human body nowadays is a political object, to such an extent that this body in question composed of flesh and blood itself has generated a global industry that can transform from space to space, where we can change the parts we do not favor or cover them up. The instrumentalism of the body is disguised in the curves, hairs, indentations and protrusions.
The system which designates harshly the fundemental principles of pleasure from one period to another this time activates porn, that exposes everything. Porn as a triology of obviousness, pleasure and meaningfulness is nothing else than the powerful elevation of the female having pleasure; everything takes place simply to bury the ever existing uncertainty over the “black continent”. From now on, the female shall have pleasure and know the reasons for which she has them. Female will become the symbol of pleasure by rendering femininity visible and pleasure, the symbol of sexuality.
Seducing is far more unique and noble compared to sexuality which is why we find it much more valuable. This practice was considered the strategy of the devil and the main principle of constant evil according to celestial religions. In order for morality to function accurately, this body granted to human beings must be enduring just as much as fragile. These duties assigned to mortal bodies causes them to self function and to shine by self functioning. This is an impeccable cycle, it is not desired so frankly for the body to shine; morality conceals once again.
According to Baudrillard, the body which we continuously refer to has no other reality than to be a model of sexuality and productivity. Our bodies is such a capital that it can create with the body that energizes a workforce with one move, a body that we imagine as the sanctuary of spiritual energy and urge, desire and unconciousness in today's world. In Pasolini's work The 120 Days of Sodom, every kind of reversibility can be extinguished when a cruel logic awarns. There, everything is irereversibly masculine
and deceased. Even in torture the interbedded partnership in crime is annihilated. Everything consists of an inanimate torture, a crime committed insensitively and a cold intrigue. Satisfaction is a mine roused, it is a technological product of the mechanical system in their bodies, a logistic of pleasure. The first moment encountered with a pornographic image is shocking, similar to the striking bewilderment of a Déjà vu moment. This (supposed) mine is documented closely under powerful lights, so closely that the body is no longer itself but is rather transformed into an extensively detailed and clear, unpleasant landscape. There exists also a reverse version of Déjà vu which is called jamais vu. One meets the same people and goes constantly to the same places; but feels as if it is the first encounter every time. Everybody is always a stranger. Nothing is familiar.