Merve Denizci, who is interested in the social and cultural reflections of architectural structures, believes that it is possible to trace the marks of each society in architectural and furniture forms and in the ways they are used. In her artistic practice, she mostly uses painting as a medium, but these paintings are constructed in relation to other materials or images. Even in our daily lives, objects come together, separate, and form new relationships with other objects—and everything around us, including ourselves, engages in relationships either by chance or by design. An art object, too, is in constant interaction with other objects and with the space it inhabits, and our perception of it is shaped by the things surrounding it. Precisely for this reason, when she brings an artwork into relation with other objects or visuals, she aims to open up the idea that it has—or can have—a relationship with everything around it. In her artistic practice, when using forms and objects, she creates with the awareness that no form is autonomous or independent. The material and the formal variations it offers constitute an important part of the aesthetic language of her work.